Elvis. (2022) Quick Review.

Stylistically Baz Lurman has those who will be automatic easy marks for his style over substance approach. There’s also a sizable section of viewers that will reach for the proverbial vomit bucket as soon as they see his name on a poster. Well, this reviewer would definitively plant himself in neither he will admit to being closer to the latter than the former. Well, Lurmans confetti blast to the face might be less egregious Then the filmmaking tropes of Michael Bay or Zack Snyder it is certainly capable of inflicting a throbbing headache on the audience. His 160-minute biopic of the king of rock and roll sounded like a potentially difficult prospect for those not already inclined to buy into what Lurman can offer as a filmmaker. Nevertheless, this viewer did go in with an open mind.
Honestly even as someone who treats Lurman productions with a degree of distance Elvis is perfectly solid. Things don’t perhaps start on the best foot. The prologue infuses Lurmans whirling editing and general glitz with a pantomime villain Tom Hanks playing Elvis’s manager Colonel Tom Parker as if he is an exaggerated version of old man Robert De Niro in The Irishman. Things quickly calm down thought. There is plenty of over-the-top Lurman flourishes to please the audience that will come to the film looking for that. What honestly surprised this viewer was how the conventions of what is a fairly standard music biopic provided just enough grounding in some sense of hugely exaggerated reality to prevent Lurman from going totally off the rales He is helped along by a truly magnetic central performance From Austin Butler. Not only is the central turn this sort of powerhouse performance that elevates every single scene Butler is in including some impressive musical performances blending Butler’s vocals with the genuine article. The full package is a solid attempt to find the heart and humanity in one of the most imitated and mythologized figures within pop culture e. Who knows if any other central r performance could have conveyed this as effectively? One thing’s for sure though. is going to be a Superstar of the future.
There’s almost not a lot to say about the rest of the film. Even if one has had an allergic reaction to Lurman in the past Elvis is worth a viewing just to see one of Hollywood’s potential next big things deliver what might be their magnum opus at the start of a potential burgeoning career. The rest of the film is a conventional music biopic that solidly and engagingly hits all of the beats one might expect it to. Butler’s performance certainly elevates the set but there’s enough restraint in the presentation that this has the potential to appeal beyond the older audience that is typically marked for films like this.
Elvis still has plenty to keep those who inherently buy into Baz Luhrmann’s style satisfied. That said there’s just enough restraint hemmed in by the conventional music biopic structure to not cause a section of the audience to reach for the sick bucket. Thankfully this is balanced out thanks to a sensational central turn from Austin Butler. It doesn’t matter that there’s, ‘s not a lot beyond the decidedly glossy surface one might expect from Lurman. The central performance alone makes it worth the experience.

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