Brian and Charles. Very Quick Review.

A wacky inventor (David Earl) strikes gold when one of his latest failed experiments (a robot comprised largely of a mannequin head with a washing machine for a body and a voice box) unexpectedly comes to life in this incredibly likeable British comedy. As someone familiar with Earl through his work with Ricky Gervais to see him deliver something as a writer and central performer with a genuine beating heart was very refreshing. We watch him and his companion getting into slapstick misadventures that remain solidly constructed and often hilarious throughout. This viewer’s immediate thought whilst watching was that the tone had replicated the appeal of classic Aardman productions in live action. Nick Park would be proud. The third act and sense the narrative needs a villain in its expansion from a short film to a feature feels incredibly bolted on. Thankfully even when going through the motions the peace never loses any of its central charms. It’s the exact sort of widely accessible Sundance breakout hit we should be supporting and showing to the largest audience possible. It was in UK multiplexes for a week but this deserves so much more. Not least to be found by a broad yet specific audience who’d like a certain strain of good-natured British comedy. The fact this didn’t immediately occur upon its initial release in cinemas as it might have done in the past. This is more an indication of the sad state of mid-level theatrical exclusives in post COVID UK cinema environment
8/10

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