See How They Run. Quick Review.

The resurgence in comedically inflected whodunits very much impacted by the success of the burgeoning Knives Out franchise is one of this author’s favourite Hollywood trends as of 2022. It’s a more effective use of Rian Johnson as a creative force then. indulging in his attempt to be subversive by having one of the most beloved movie characters of all time become a bitter old man drinking milk out of a space cows udder. See How They Run takes Saoirse Ronan and Adrien Brody Stone along with a fair dollop of Wes Anderson and applies it to a period piece that directly involves Agatha Christie’s reverence over this entire genre of media. Specifically, the narrative is set in short in London’s West End theatre scene around the opening of The Mousetrap. This still has theatrical cultural cachet in 2022 given that it’s one of the most famous whodunits around and the longest-running play in West End history. All this sounds on paper like fertile grounds to make a potentially effective entry as part of this comedic mystery revival. Add to this the fact this is one of the increasingly rare Fox productions under Disney to get a decent-sized theatrical push and a fun marketing campaign and these viewers’ expectations going into an opening day screening were relatively high. How was the film?
Incredibly disappointing. The fact we have two incredibly strong examples of this mini-genre resurgence being done so well ( the other being Only Murders in the Building) Makes a final product like See How They Run look aggressively functional. There’s a mild charm in the period details and the performances from the two leads but the central case lacks any major spark or sense that it has any kind of momentum beyond going through the motions. A who’s who of B list British character actors turn up as potent suspects but there are so many of them to the point where they all remain massively underdeveloped for a feature runtime. The entire thing comes across not only as a “grey pound” film ( some of which can be good) but as an entirely milk-toast affair built for audiences who are simply looking to watch something to fill the time. The dry no sugar Weetabix of the current post-COVID theatrical release schedule. The piece is saved somewhat from being worse by one element of its ending. Not the killer reveal. That is as perfunctory as can be expected That said the villain’s motivation does offer some delightfully entertaining metacommentary on a certain element of media discourse that is as old as the media itself. If one is looking for great moments and plot reveals that elevate otherwise mediocre to bad films here is a fantastic example. Unfortunately, most of the under-60s will have deservedly checked out by that point. This viewer’s main thought is that it will be far too late to win them back.
See How They Run was woefully disappointing for this viewer. Jettisoning all the potential the comedic mystery revival can offer in favour of something entirely perfunctory with little flavour or value beyond Something one can see in the increasingly barren theatrical exclusive release schedule of 2022. There is one major element the ending that suggests a far more daring and interesting film than the one audiences have received up until that point. This writer’s prevailing thought was why Disney had chosen this thing specifically for increasingly rare cinema releases. It’s the exact sort of streaming filler built for Hulu or Star on Disney Plus. This question remains unanswered at this point. If one is not afraid of some mildly R-rated content I suggest sticking to Selena Gomez asking, Why the Bassoon Cleaner is in the Sex Toy box? One of the best media moments of 2021.

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