Moonage Daydream. Review.

David Bowie is one of these media consumer musical and cultural blindspots. Not to say that his classic songs aren’t classics for a reason. More than the prospect of the first documentary officially sanctioned by the Bowie state following the star’s death Will be a more exciting prospect to fans with knowledge of his wider catalogue. This viewer’s main interest was seeing how it compared to the embarrassing unauthorised Bowie feature drama Stardust starring Johnny Flynn (it is indeed “time for a tasty debrief.”) With no rights to use any of the music or any sanctions from the Bowies stakeholders beyond a vague handwave the inapt piece was a very specific case of “you were so preoccupied with whether you could you didn’t stop to think if you should.” With that sorry excuse for a biopic, decidedly memory holed we can move on to something that does have the Bowie team seal of approval. This can be a dicey prospect in and of itself but Moonage Daydream deserves consideration. So how is the documentary from this perspective overview not automatically enamoured with the subject word about catalogue or cult of personality?
Incredible. The critical factor to note about Moonage Daydream is that it’s not really a documentary. There are talking head pieces and interview snippets from across bowie’s life and career. The film is much closer to something like an extrasensory experience. Does that sound pretentious? Possibly. That said a mix of terrific editing and stunningly immersive sound design let the 135-minute experience wash over the viewer in the most effective way possible for this tone of the material. The live performance sequences are frankly electrifying. Crafted for the biggest screen and highest spec sound system possible the entire thing will be catnip for those that love the big screen experience ( regardless of their familiarity with Bowie) The knowledge this had an early IMAX release and is something of the showpiece in one of this viewer’s favourite film formats was both incredibly unsurprising and deeply frustrating given that he missed that special engagement. Needless to say based on his experience watching on a screen that had not been upgraded since it opened in 2009 yet could still convey how stunning this was as a piece of spectacle the IMAX experience for this has the potential to be mind-blowing.
By framing the final product as more of an experience than any kind of career retrospective. the Bowie estate gets around the problem inherent with these kinds of hagiographies in that their fingerprints aren’t too heavily associated with the final product (at least with someone Not as familiar with Bowie history.) it also feels emotionally honest to the subject’s multitude of chameleon-like personas throughout his career. Honouring his legacy but not by giving off the consistent energy that the final proiduct has been tampered with by its stakeholders to approximate a version of Bowie’s story with the edges supremely rounded off. Find the biggest and loudest cinema possible and immerse yourself in one of the year’s best films.
Moonage Daydream is absolutely astonishing. Even from the perspective of a viewer, not that familiar with the David Bowie back catalogue. A wonderfully kaleidoscopic theatrical showpiece tribute to one of the most influential media figures of the last 50 years. Whatever one’s familiarity with the subject work if the documentary is still playing anywhere near potential viewers theatrically this writer would recommend doing everything in one’s power to get the chance to see this projected. Pure big-screen spectacles are relatively rare in the age of streaming. The fact one of the three released thus far in 2022 has deservedly made $1.5 billion as a strong contender for the year’s best film is only a great thing. Heres another. It deserves a chance to be seen outside the fandom for its subject.

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