I Wanna Dance With Somebody. Review.

As some sort of preamble to this review of the recently released Whitney Houston biopic one could go on a long extended rant about how Bohemian Rhapsody effectively single-handedly revived this variety of hackey, estate-approved tortured musician biopics. Said film is exactly the sort of media Twitter punching bay where the majority of the reasonsContinue reading “I Wanna Dance With Somebody. Review.”

She Said Review.  How  The Divide Between Critical and General Interest Became Harsher Than Ever In 2022.  

What are the advantages to the prospect of dramatizing a real story? Especially when the content and outcome are well-known and deeply traumatizing to anyone who follows the entertainment news. cycle. That was the question makers of She Said had to deal with. As the first dramatization covering the investigative reporting at the heart ofContinue reading “She Said Review.  How  The Divide Between Critical and General Interest Became Harsher Than Ever In 2022.  “

The Lost King. Surprisingly Berserk

The bones of King Richard III being found in a Leicester car park is one of the most intriguing human interest stories to hit the UK in quite some time. The sort of stranger-than-fiction tale primed for a grey-pound film adaptation. Hence for the 10th anniversary of the events depicted here comes the screen versionContinue reading “The Lost King. Surprisingly Berserk”

Fisherman’s Friends. One and All. Quick Review.

The first film telling the story of the popular Cornish folk band was very typical within its style of production line Britcom. That said in an era where British multiplexes are awash with this kind of “grey pound” material Fisherman’s Friends was one of the better efforts. It will not rock any viewer’s world butContinue reading “Fisherman’s Friends. One and All. Quick Review.”

Elvis. (2022) Quick Review.

Stylistically Baz Lurman has those who will be automatic easy marks for his style over substance approach. There’s also a sizable section of viewers that will reach for the proverbial vomit bucket as soon as they see his name on a poster. Well, this reviewer would definitively plant himself in neither he will admit toContinue reading “Elvis. (2022) Quick Review.”

McEnroe. (2022) Review.

As a huge tennis fan, It should be obvious that this viewer was inclined to check out this new documentary covering the career of John McEnroe. Even if McEnroe’s achievements and his cult of personality feel like they have been thoroughly covered across various projects in both drama and documentary. What surprised this onlooker wasContinue reading “McEnroe. (2022) Review.”

Benediction. Very Quick Review.

One of the latest instances of British #filmtwitter getting behind films with otherwise limited commercial appeal is this unconventional biopic from director Terrence Davis. Jack Loudon and Peter Capaldi play older and younger versions of the renowned WWI anti-war poet Siegfried Sassoon. Starting in the period immediately following Sassoon’s psychiatric evaluation due to his anti-warContinue reading “Benediction. Very Quick Review.”

Father Stu. Quick Review.

The prospect of an even nominally faith-based film will give certain audiences an allergic reaction regardless of whatever content or merits the actual piece has. One way filmmakers could in theory get around this is by offering a distinctly harder-edged alternative to religious-centric stories. Enter this Mark Wahlberg vanity project directed by Mel Gibson’s girlfriendContinue reading “Father Stu. Quick Review.”

A Journal for Jordan. Quick Review.

Welcome to the first truly baffling film of 2022. In his latest feature as director, Denzel Washington effectively attempts to resurrect the Hollywood ghost of Nicholas Sparks adaptations in this screen incarnation of a true story. Throughout several tours of Iraq First Sargent Charles Monroe King (Michal B Jordan kept a journal of life andContinue reading “A Journal for Jordan. Quick Review.”

Diana: The Musical Has to Be Seen To Be Believed.

This viewer rarely watches something that he would class as inexplicably terrible and simultaneously such a bizarre off-the-wall creation and that it has to be seen to be believed. The best recent examples in film terms include Colin Trevorrow’s astoundingly misjudged The Book of Henry. There’s also David Frankel’s unbelievably ill-conceived Collateral Beauty. Housed withinContinue reading “Diana: The Musical Has to Be Seen To Be Believed.”