See How They Run. Quick Review.

The resurgence in comedically inflected whodunits very much impacted by the success of the burgeoning Knives Out franchise is one of this author’s favourite Hollywood trends as of 2022. It’s a more effective use of Rian Johnson as a creative force then. indulging in his attempt to be subversive by having one of the most

Trolls World Tour. Review

The article posted regarding the £15 day and date film rental near the start of lockdown mentioned this reviewer has seen every Pixar and DreamWorks film in cinema for the last 16 years. That streak ended with Trolls: World Tour. When this reviewers local cinemas reopened the film wasn’t playing anywhere and while  still keen

The One and Only Ivan (Disney +) Review.

Disney’s treatment and roll out of its with subscription exclusives (outside of Hamilton) has become a running theme of these reviews. Here comes another one. This time its arrival on streaming it’s directly as a result of the pandemic with it being pencilled in as a full theatrical release until relatively late in the day.

Richard Jewell. Paragraph Review

I found the previous two Clint Eastwood films a little bit hard to stomach. 15:17 to Paris is one of the most awkward and misjudged films I have ever had the displeasure of seeing (especially given that I saw it in cinemas.) The Mule was much better and Eastwood is always very watchable when acting

Jojo Rabbit. Movie Review

This is the fourth feature I’ve seen from Taika Waititi. If I were to describe his sense of humour to someone unfamiliar with his work it would be bizarrely absurdist. His films can be a little inconsistent but are often very funny and he has one masterpiece to his name with Hunt For The Wilderpeople