Really. More Princess Diana media. Even as someone who was all of three years old at the time of her death Princess Diana is this sort of easy audience adjacent narrative that certain viewers and filmmakers will always have an avert fascination with. Ever since Actress Emma Coren deservedly won a lot of acclaim for her portrayal of young Diana in Netflix’s The Crown it seems like Diana-centric projects have gone into production overdrive. Even more so than usual. The one-dimensional emotion porn of Pablo Lorraine’s awards/festival pandering Spencer. The ludicrously over the top, too camp to not be destined for a cult status notoriety of Diana: The Musical. Everything in between. Well here’s another one.
The Princess is an attempt to construct the Diana tale utilising only existing archive footage. Something along the lines of the stunning 2019 Apollo 11 documentary all the work of British documentarian Asif Kapadia. Except in those cases, the presentation did offer what felt like a spectator’s view on the subject matter. The Princess Diana chronicle has been so thoroughly picked clean that The Princess as a piece of work is not necessarily as effective when judged on this standard. That is not to say it does not have some merit in its own right. The documentary offers a snappy and efficient whistle-stop tour of events that feels a little more emotionally well-rounded than other decidedly-dour takes on the same story. This is especially true when looking at the material showcasing Diana’s impact on the lowest most everyday life-like section of society That said if one is familiar with this style of archive piece there is nothing new here. Granted it is better than all the recent Diana media that isn’t The Crown It probably has a future destined as a school and museum piece.This is perfectly fine in some ways.
Students deserve something with some level of stylistic or content-based merit that’s not going to make them automatically hit the snooze button. That said unless one is an easy sell for interpretations of the Diana tale or is a specific find of this type of archive-focused documentary (as with this viewer) there are easily available stronger examples available on streaming and physical media. Well, it might be objectively better than some of the higher profile Diana projects of recent times The Princess delivers the sort of final product that doesn’t enable it to establish a true identity to establish appeal beyond those predisposed to be interested in the subject matter.