Lord Of The Rings: The Rings of Power. Global Fan Screening ( Episodes 1-2.)  Review/ Impressions 

We have arrived at a point in 2022 web blockbuster TV has so thoroughly eclipsed film as the avenue for truly immersive huge budget storytelling. The best of this material put a chunk of what is regularly on the big screen to shame. The antithesis of this ( certainly from a budget and scale perspective) is the arrival of amazons megabudget attempt to bring the Lord of the Rings to serialized long-form TV. The commitment and budget made-up front by Amazon is quite frankly insane regardless of the quality within the initial five-season plan. This viewer was excited but had a greater intense curiosity simply to see what a dump truck of Amazon money and a Token licence gets you from a creative perspective. Especially after summer in witch ( regardless of its faults.) Stranger Things 4 has set the bar in terms of character scale and budget within truly big screen adjacent television. As someone who believes cinema has a future in branching out and showing alternative content like blockbuster TV samplers and pilots on the big screen the chance to see the first two episodes in a theatrical presentation at a favourite venue of this attendee was a chance that could not be passed up. Based on initial impressions did the premiere of Amazon and streaming TV’s biggest gambles pay off?
Quick Note. The theatrical version shown as part of the global fan screening events is the same content narrative-wise as the streaming version of the two-episode premiere that’s out globally as of this writing. There’s an episode-specific credits break but the majority of the credits for both episodes are saved until both episodes have had their full runtime. The previously that opens episode 2 on streaming has also been removed. Other than that the content is identical. The theatrical edition runs for 123 minutes in total. Now back to the review.
Audience expectations for The Rings of Power will entirely depend on what one brings to it. If one is expecting an entirely original or transcendent narrative within Middle Earth you will be disappointed. The two episodes very quickly establish themselves as extortionately expensive fanfiction. Plenty of supposed fans will review bomb the show based on this principle and what they perceive as the audacity to have some diversity in the cast. There’s nothing inherently wrong with either of these. Especially that fan fiction argument. Especially in a universe as expensive as Middle Earth. If there is a great benefit to the series premiere it’s that it does a solid job of building some intriguing species-specific plots with strong moments and often stunning spectacle. Watching these episodes theatrically but knowing they can be viewed two days later on phones worldwide was a frankly baffling thought. The narrative is indebted to a certain amount of what Peter Jackson established with his previous live-action Middle Earth in which previously established on-screen characters it decides to utilise. Thankfully the showrunners are also clearly committed to forging the show’s huge narrative scope. It’s engaging stuff on pure audacity alone even if the characters not previously established with previous live-action incarnations don’t get a lot of time to bad in across the runtime. This may come with time though. Alternatively with the narrative already starting to buckle under its weight throughout the premiere the opposite might be true. Only time and further episodes will tell.
Based on this theatrical edit of the two premiere episodes Lord of the Rings: The Rings of Power is off to an inherently flawed but ambitious and audaciously engaging start. A soaring epic with huge scope and potential for even further expansion. It might seem like the sheer scope of this project is already far too large for its good. There are enough very strong elements in this premier to make this viewer definitively give the series more time to find its footing. Certain audiences will hate it for godless but there is massive potential here. It’s just a case of whether this show can be wrestled down into a cohesive package by the creatives. It certainly has more promise than recent attempted IP-based TV blockbusters Amazon’s Wheel of Time or Apples Foundation. We shall see how the rest of the season ad the future of the show plays out.
7/10

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