Luck. (Apple TV +) Quick Review.

Of all the careers and legacies tarnished by the dawn of #metoo the allegations and ousting of John Lassiter were the most difficult to process from a personal perspective. As a viewer who grew up with a lot of classic era Pixar and watched him guide Disney feature animation into the CG era in real-time. At his best, the man was/is a creative genius. Being involved in some of the most iconic family entertainment to ever exist and spawning a legion of imitators. Ultimately because left-leaning film and media coverage thinks Hollywood has far more morals than it does it’s not hard to see why even in a disgraced state getting Lassiter to kick start the animation arm tied to a mid-level Hollywood production company might seem to investors like an attractive prospect. Hence we have Luck the first feature overseen by Lassiter as head of Skydance Animation. The main brand is mostly known for spearheading creative teams on Tom Cruise’s blockbuster efforts over the last 10 years (otherwise known as some of the best big screen entertainment ones can find.) There’s no reason conceptually they can’t build a footprint within the animation. Especially if Lassiter brings a chunk of former Pixar employees along with him. What do the initial results look like?
Mostly not good. The thing with Luck is that Skydance has a studio that had a chance to establish a genuine creative animated identity One may argue they did this. Only if this identity was content with being creatives that are desperate to tell you they have at least seen a Pixar movie. Hiring a director best known for Disney’s direct video efforts doesn’t help. The narrative has some level of potential with the unluckiest person imaginable discovering the land of luck. Unfortunately what could be an opportunity for real creativity with a genuine artistic blank slate beyond the premise turns into the most generic CG animated family film possible. Luck itself is conceptualised by stereotypically Irish leprechauns. The first act has a mild charm and some decent slapstick. It’s the genuinely atrociously middle section that lets the whole project down. The ending writes itself from its descent into atrocious returning to generic pablum. If Skydance Animation had come out the gate swinging with a genuinely solid opening feature there would be endless discourse about the createive value of people who left-leaning Twitter see as Problematic. In the end, this feature is nothing more than an attempt to recreate Pixar’s glory years. I.E which every contemporary CG animation studio has tried to do in some form since the early 2000s. Hence the film very well-defined and easy target status. Having given the film a chance it’s hard not to think that on some level this is very solidly earned. There’s nothing here for even more discerning young audiences. While Luck is far from the worst thing ever it won’t trouble or spark Amy imagination’s beyond those attempting to make a cheap facsimile of better material.
4/10.

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