Lyle,Lyle,Crocodile. Quick Review.  

When the trailer for Lyle,Lyle,Crocodile first dropped this writers impression upon first viewing is that we were looking at the next instant meme within the film world. Come on. It’s Shawn Mendes as a singing crocodile with songs by Pesek and Paul. . Evan Hansen’s feature adaptation to the beach From M night Shamalan’s Old probably doesn’t help. Even the choice of Mendes and the attempted catering to his tweenage white boy audience felt a little desperate. Nevertheless, the chance to go and see this thing during the standard UK family movie preview weekend with something of an ironic slant was too good to pass up. Has the latest film adjacent meme been birthed?
Not really. No doubt certain audiences will clip out certain sections of the musical sequences and claim that they are best experienced on their favourite variety of hallucinogens. When taken within the full context of the film though beyond the bunkers premise Lyle Lyle Crocodile plays it is incredibly safe. A very standard found family affair typical within its brand of all attempted all-ages family entertainment. There are diversions into the support of pantomime theatrics one might expect from the concept and trailer. Javier Bardem plays the struggling magician that previously owned Lyle before he is found by the child that the film centre. he is having a great time in knowing exactly the level of ridiculousness the off-the-wall antics implied (if not delivered) by the premise suggests. the narrative receives a much-needed shot in the arm every time he appears on the screen. unfortunately, he is only in the film for about 20 minutes in total. Brett Gelman looks as if he wandered in directly from the set of Stranger Things and is effectively playing the same character. The rest of the narrative plays out with a certain level of gurning earnestness. This might be more inoffensive than outright terrible but one has to keep reminding themselves that this is that the end of the day a movie about a singing crocodile. Leaning more into Bardem’s performance would at least deliver on some of the memorability the premise suggests. The most interesting thing about the film in its final form is that it has very clearly been chopped down in the edit to a more family film adjacent to 106 minutes. Two major events in the second and third acts simply take place off-screen. this includes some of the set-ups for the standard “get to the show on time” finale. One should know what to expect from there. As for the songs. They are. find for what they are. those that have an allergic reaction to the Pesek and Paul style of aggressively poppy musical theatre will heat them by default but they are far from the worst things ever. Mendes is the sort of aggressively anonymous pop boy perfect to deliver them. The entire thing from top to bottom screams of an attempt to be aggressively inoffensive. This probably results in a better film overall. That said anyone looking to enjoy the finished film at least somewhat ironically will be left disappointed.
Lyle, Lyle Crocodile is a far safer film in the bananas premise and marketing campaign would imply. it does have moments of pantomime energy from Javier Bardem’s presence. everything else about this thing feels decidedly uneventful. Unless one is decidedly indebted to this brand of slightly sterile family entertainment or wants to see what the singing crocodile movie has to offer Lyle, Lyle Crocodile is best avoided.

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